Rah Ali Thinks Remy Ma is "Furious" Over Megan Thee Stallion Out-Succeeding Her

Publish date: 2024-06-01

"The definition of scallywag, it was saying something like someone who does bad things, or they do bad actions, but they're praised for it," Remy said in jest. "They're known...it's a good thing. So, I'm like, Megan, she be talkin' that sh*t. Sh*ttin' on n*ggas, violatin' them or whatever, and that's why she's like, championed for that."

"It's really hard when you are an artist who's been in a particular industry for eons, and to watch these young girls come into what you feel is your craft that you feel that you've mastered, and watch them surpass you," she said. "Imagine being someone like Remy who feels like she is so gifted and so much better than these other artists. In her mind, she's better than them. Watch them come in and surpass you and do units. I'm sure she is furious. I'm sure [Papoose] is in that living room with her telling her that she got next, still."

Rah's co-hosts go on to take jabs at Remy while mocking her voice as they all laughed at the New York emcee. Later, Rah stated that Remy isn't topping the charts because she's "so focused on being overly agressively lyrical...I don't think that she has understood and established that the sound has changed. You gotta get with it." Watch the crew discuss Remy's career around the 32:30 mark.

About The Author

Erika Marie is a seasoned journalist, editor, and ghostwriter who works predominantly in the fields of music, spirituality, mental health advocacy, and social activism. The Los Angeles editor, storyteller, and activist has been involved in the behind-the-scenes workings of the entertainment industry for nearly two decades. E.M. attempts to write stories that are compelling while remaining informative and respectful. She's an advocate of lyrical witticism & the power of the pen. Favorites: Motown, New Jack Swing, '90s R&B, Hip Hop, Indie Rock, & Punk; Funk, Soul, Harlem Renaissance Jazz greats, and artists who innovate, not simply replicate.

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